Selected work
What follows is the work we still stand next to. If you are commissioning something in this family — a room, a collection, a person — start with a note.
A coastal inn asked for a film that would not explain the rooms. We shot the weather as if it were a guest: tide, linen, the hour before dinner. The piece is ninety seconds. It runs on their site and in the quiet between courses, without a voiceover.
Sol works in undyed cloth. The lookbook needed to feel like a wardrobe, not a campaign. We photographed the clothes as they hang, and the few bodies wearing them, in north light. No props that the clothes did not already know.
A tableware maker wanted the pieces to look already lived with. We filmed and photographed them in a borrowed kitchen, at the scale of a hand. The study is used by stockists who would rather show a bowl than a slogan.
The room prefers conversation to a soundtrack. We made a short film of the bar before service: glass, wood, the last chair put in place. It is the opposite of a nightlife reel, which is why the owner uses it.
A one-day study in Milan for a coat and a colour. We worked in the square while it was still wet, and stopped when the light flattened. Eight frames were delivered. The client ran three.
A founder wanted pictures of herself that did not look like a biography page. We made a short series in the studio, one wall, one morning. The portraits now open the lookbook and sit, smaller, on the about page.